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No. 17 by Laurie Koensgen



No. 17


            “Silence is so accurate.”

                                 —Mark Rothko


A rectilinear

pool. Immersed

and still, we’re inside

Rothko’s painting:

the deep green

colour field—blue

suffused with sun—

floats over

saturated cobalt;


between them a thin

cerulean zone—same blue

that rules my veins.                                                                       


Translucent as 

watermarks, we steep

without the need to

speak—or breathe—

or read into

his meaning.

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